Is it sacrilege to declare that the best-looking cinéma supériorité in Paris was shot by a double of Italians? Bernardo Bertolucci and his cinematographer Vittorio Storaro bathe the French capital – as well as the neoclassical edifices of Mussolini’s Rome – in cool blues and shards of light as sharp https://stephentmcti.blogoxo.com/32867918/obtenir-mon-support-client-réactif-to-work